Hawaii Video Shoot
We’ve just wrapped a Hawaii video shoot in the USA, filming on location for 10 days with a travel-ready, cinematic setup. When you’re away for that long, you need a package that stays reliable, moves quickly, and delivers a consistent look day after day. So we kept the approach simple: strong visuals, clear storytelling, and plenty of usable coverage for the edit.
To deliver that flexibility, we built the camera package around a Blackmagic URSA cinema camera supported by a set of Blackmagic Pocket cameras. This gave us a dependable “A-cam” for controlled moments, while keeping the option to move fast and grab extra angles when the schedule tightened. As a result, we could cover key beats confidently, then layer in supporting shots that add pace and texture.
Hawaii video shoot: camera setup and workflow
The URSA handled the more controlled shots where we wanted maximum consistency and a premium finish. We used the Pocket cameras for b-roll, alternative angles, and moments that happened quickly. In addition, smaller bodies are perfect on travel shoots because they fit tight locations and allow discreet coverage without slowing the day down.
This multi-camera approach also helps in post-production. Extra angles create clean cut points and keep sequences dynamic. Therefore, the final edit feels lively without relying on heavy effects or filler.
Capturing content that works across platforms
Even on location, we filmed with end use in mind. A single project might need a main website edit, social cutdowns, and short highlight clips for LinkedIn or Instagram. So we captured wide establishing shots, medium coverage for context, and tight inserts for detail and atmosphere. That variety keeps the edit flexible and protects the story.
Production support on location
Tomorrow’s Creative brings a calm, organised workflow to overseas shoots. We keep communication clear, manage the schedule, and stay efficient when conditions change. Ultimately, that’s what makes a Hawaii video shoot run smoothly across a full 10-day schedule.
For more on the camera system, visit Blackmagic Design. Planning a project? Explore our video production services or get in touch to discuss your brief.
Great to be providing kit and crew on new exciting live streaming adventure show in the Lake district with Ant Middleton’s Ready for Anything.
We are filming exciting new live survival show with Ant Middleton this week in Keswick in the Lake District. Ant Middleton has teamed up with the AA to produce an exciting 24 hour live survival challenge. Check one of the videos out here on Youtube https://youtu.be/JFd331oRBiA or on our page here.
More information about the instructor on the show
Anthony Middleton (born 22 September 1980) is a former British soldier, adventurer and television presenter. He is best known as the Chief Instructor on the Channel 4 television series SAS: Who Dares Wins. Middleton also appeared as the captain in the adventure/reality-show Mutiny and the survival show Escape. In 2018 he climbed Everest for the TV show Extreme Everest with Ant Middleton. (Wikipedia)
Great to be providing kit and crew on new exciting live streaming adventure show. The show will be shot in the Lake district with Ant Middleton’s.
More about the location
The live streaming series will be shot over 24 hours in the Lake District National Park in Cumbria, North West England July, 2019.
The Lake District National Park is a national park in North West England that includes all of the central Lake District, though the town of Kendal, some coastal areas, and the Lakeland Peninsulas are outside the park boundary.
The area has been a designated national park since 1951.
What an exciting project that were are so proud to be a part of.
Autopsy Series 4 Filming
Autopsy Series 4 filming required reliable kit, calm crew support, and a consistent interview workflow across multiple locations. Tomorrow’s Creative supported production by providing a Sony FS7 camera package alongside experienced crew, helping keep setups efficient and results consistent from day to day.
Across the series, we shot interviews in London and on locations around the UK. Because each space comes with different lighting conditions and time constraints, we focused on continuity. As a result, the footage holds a controlled documentary feel while still looking polished across episodes.
Autopsy Series 4 filming: camera package + technical workflow
We supplied a Sony FS7 camera package built for fast-paced factual interview filming. The FS7 is a trusted option for this type of production because it’s quick to operate and dependable on long shoot days. In addition, we provided Camera Assistant / DIT services to manage cards, backups, and on-set technical checks. That kept the workflow organised and reduced risk as the production moved between locations.
Autopsy Series 4 filming: lighting cameraman / DoP support
We also provided Lighting Cameraman / DoP services to shape a consistent interview look. Factual interviews need lighting that feels believable, not over-styled. So we used soft, flattering light, controlled contrast, and clean backgrounds that suited each location. We also kept the setup efficient, which helped contributors feel comfortable and kept the schedule moving.
Multi-location interviews across the UK
When interviews take place across the UK, small differences can creep in—colour temperature, background tone, and exposure can shift quickly. Therefore, we kept an eye on framing, lens choices, and the overall “feel” of the image while adapting to each room. That approach helps the edit cut smoothly and keeps the series feeling cohesive.
If you’re producing factual TV and need an FS7 camera package, DIT support, or a lighting cameraman for interviews, we can help. Explore our video production services or get in touch to check availability. For more on the camera system, visit Sony’s FS7 page.